Valentina Peri (France / Italy)
Artist in Residency
Matter, Non-Matter, Anti-Matter
May – June 2022
Tirana Art Lab – Center for Contemporary Art is one of Albania’s leading contemporary independent art institution. Founded as a non-profit organization, on the initiative of Adela Demetja in 2010, TAL aims at promoting emerging and established artists and contemporary art from Albania as well as from Central, Eastern, and South Eastern Europe. The center is process and research oriented. Through different formats like, residencies, exhibitions, workshops, performances, lectures and talks, as well as research and publications, TAL has managed to create a space for emergent critical and reflective thoughts. The center initiates and supports new productions by national and international artists, and projects critically engaged with artistic, cultural and social issues of transitional and contemporary societies. From 2014-2018 TAL operated from an independent multifunctional space located in the centre of Tirana. Its unique laboratory consisted of an exhibition space, a space for artists in residence and an open public library of contemporary art books. Since 2018 TAL has been putting an emphasis on projects rooted in research and archiving, in relation to art in publics space (Tirana Floating Archive & Tirana Floating Tours) and highlighting the practices of women artists (Secondary Archive). In 2023 TAL initiated "Curating with Care" the first alternative educational program in curating in collaboration with Istituto Italiano di Cultura a Tirana. At the moment TAL does not have a physical location but collaborates with local partners for its projects.
From 2014 TAL has refined its holistic conceptual, operational and managerial practice based on the concept of rhizome. The concept consists in three practical strings: inside-outside, bottom-up and polyphony. It is deeply rooted, both in the Albanian cultural context and new experimental methodologies in terms of research, production and management. In this manner TAL tries to resist politicization, polarization and neo-colonial practices which pervade contemporary local and/or global cultural scene.
Throughout the years, TAL has grown into a contemporary art centre, engaged in a wide range of activities and collaborations with other art institutions, museums, and academic structures in Albania, the South Eastern Europe Region and the international landscape. Through one of the members TAL was the the first Albanian institution to have collaborated with Institut national d’histoire de l’art – Paris, France. Thanks to the expertise and capacities of its members TAL was the first art and cultural organization in Albania supported, in the framework of an international partnership project between 2015-2017 (Heroes We Love ), by the Creative Europe Programme. Also as leading partner TAL was supported in 2016 by Allianz Kulturestiftung. Between 2019-2023 TAL was part of the large scale international collaboration project Beyond Matter EU in partnership with ZKM | Center for Art and Media Karlsruhe, Centre Pompidou, Ludwig Múzeum – Kortárs Művészeti Múzeum, Tallinn Art Hall, Aalto University, École polytechnique fédérale de Lausanne, EPFL (associated partner). Co-founded by the Creative Europe Program of the European Union. These supports followed the continuous collaboration, in all these years, with other foreign institutions and supporters, such as Italian Ministry of Cultural Heritage and Tourism, Museum of Yugoslav History Belgrade, UGM | Maribor Art Gallery, Institut für Ausladsbeziehungen, Alliance Francaise, Istituto Italiano di Cultura, Robert Bosch Foundation, Pro Helvetia, European Cultural Foundation, Goethe Zentrum Tirana, Swiss Cultural Fund Albania and a large number of embassies in Albania. TAL has been supported also by the Albanian Ministry of Culture, Municipality of Tirana, Albanian National Historical Museum and other public/private national institutions. TAL has collaborated with local partners including Tulla Cultural Center, Bulevard Art and Media Institute, Galeria e Bregdetit Vlorë, Bazament Art Space.
Resina Meçani (b. 1999) is a curator and culture manager based in Tirana with an artistic background. She graduated from the University of Arts in Tirana, majoring in Scenography–Costume Design, and attended the alternative educational program Curating with Care, initiated by Tirana Art Lab – Center for Contemporary Art in collaboration with the Italian Culture Institute in Tirana. In 2023, she co-founded Satellite Zone, a platform dedicated to supporting and promoting young and emerging artists. She has also worked at the National Gallery of Arts and Tirana Ekspres.
From May 2024 to May 2025, she served as the Executive Director of Debussy Fine Art Gallery, where she contributed in the open of the gallery and the development of exhibitions and international collaborations. Meçani has also participated in international programs, including a residency at EULENGASSE (Frankfurt, 2023) and the Supermarket Art Fair (Stockholm, 2023 & 2024). Both her curatorial and artistic practices reflect a strong commitment to collaboration, experimentation, and challenging the boundaries between artist, curator, and audience.
ASSISTENT CURATOR ERIDA BENDO
Erida Bendo born in 1996 in Kolonjë, Albania, is an architect and computational designer. Always curious about the multi-dimensional aspects of the built environment, from interior spaces to cities, her interests lie in understanding natural phenomena, as the driving force in her explorations of generative design and rule based systems. Erida holds a Masters in Architecture from the Polytechnical University of Tirana and a postgraduate master in advanced computation for architecture and design from the Institute for Advanced Architecture of Catalonia.
FORMER FOUNDING DIRECTOR 2010–2025 / ADELA DEMETJA
Adela Demetja is a curator born in Tirana, Albania living in Tiran and Frankfurt am Main. She holds a master in "Curatorial and Critical Studies" of Städelschule and Goethe University, Frankfurt/Main. Demetja studied from 2002 to 2006 at Academy of Art in Tirana. She is the director of Tirana Art Lab – Center for Contemporary Art, which she established in 2010. As an independent curator she has curated numerous international exhibitions and collaborated among others with institutions like National Gallery of Arts Tirana, National Art Gallery of Kosovo, Maxim Gorki Theatre Berlin, Portland Institute for Contemporary Art USA, Project Biennale D-0 Ark Underground Konjic, Action Field Kodra Thessaloniki, Lothringer 13 Kunsthalle Munich, Villa Romana Florence, Haus am Lützowplatz Berlin. She curated the Albanian Pavilion at 59th Venice Biennale represented by Lumturi Blloshmi.
SUPPORTIVE STAFF
VJOLA KASEMI
Romeo Kodra, Matilda Odobashi, Sonja Lau, Eni Derhemi, Jiri Gruber, Klaudia Fagu
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Tirana Art Lab Office & Project Space
Address: Pallati I Ri, Rruga Isa Boletini, Tiranë
Coordinates: 8RMC+937, Tiranë
By appointment: + 355699420969
From its beginning in 2010 until 2014 TAL organized different types of events in the cities of Tirana, Shkodra and Pogradec in art spaces and public spaces. From 2014 to 2018 TAL operated from an independent multifunctional space located in the centre of Tirana. Its unique laboratory consisted of an exhibition space, a space for artists in residence and an open public library of contemporary art books.
From 2018 until 2025 TAL did not have a permanent location and organized its activities in different locations.
Tirana Art Lab hosts an international residency program that is open to artists, curators and theoreticians from all fields of contemporary culture. The residency gives the participants the opportunity to spend a distinct amount of time in Albania, to meet and to collaborate with artists and experts from the region, and leads to the production of a new work informed by the research on site. The duration of the residency depends on the respective project proposal.
At the moment there are no open calls for residents.
Artist in Residency
Matter, Non-Matter, Anti-Matter
May – June 2022
Artist in Residency
Matter, Non-Matter, Anti-Matter
April – May 2022
Artist in Residency
Matter, Non-Matter, Anti-Matter
November – December 2021
Artist in Residency
Exhibition Artists in Residency
September – November 2021
Artist in Residency
Exhibition Artists in Residency
May – June 2021
Artist in Residency
Exhibition Artists in Residency
November – December 2020
Designer in Residency
October 2018
Artist in Residency
June – July 2018
Artist in Residency
March – April 2018
Artist in Residency
September – October 2015
Artist in Residency
April – May 2015
Artist in Residency
March – April 2015
Artist in Residency
April – June 2013
Artist in Residency
April – May 2014
Artist in Residency
Pipifax – Through the Looking Glass and what we found there
May – June 2011
Artist in Residency
Monument Ginger Society Tirana
April – May 2011
Double Feature is an exhibition format introduced by Tirana Art Lab with the aim of systematically displaying in our premises, two artistic positions to the Albanian, the regional and international audience. By exhibiting two artistic positions together, we would like to construct the ground for contextualization of the artists and their works as well as build up a historical narrative necessary for the developments of contemporary art in Albania and the Region. The structure of the event enables us to pair artistic positions with every exhibition differently, making it possible to create mutual connections and references for both the positions. Especially in the Albanian context such exhibition format is needed and can be very successful. The small scale of the project enables us as organizers to engage deeply with the artists, the works and the context as well as enables the public to have a greater accessibility to a small-scale showcase. We primarily aim in conceptualizing; curating and delivering exhibitions with a high artistic quality and relevance as well as to motivate and create a space for discussion starting for the discourses initiated by the art works. Double Feature is a series of exhibition that will bring together national and international positions; positions from different disciplines; positions belonging to different generations. The creation of a dialogue between the two positions in relation with the history of art will be ensured by detailed exhibition text, artist talks, documentation through publication, interviews, photo documentation, video material etc.
Performative Exhibition is a new format initiated by Tirana Art Lab – Center for Contemporary Art with the intention to disclose exhibiting and to make public through performativity not only the process of artistic creation and curating, but also find ways to include in the exhibiting process and the means of production behind and beyond the event itself. The concept of “Performative Exhibition” aims to find new ways of exhibiting and curating which break with the temporary / unique features of the contemporary exhibition and propose enduring ways of working together.
The program is eager to tackle new hybrid formats of contemporary music and visuals arts by means of new audio-visual productions, concerts, talks and screenings.
"Curating with Care" is an alternative educational program initiated and developed by Tirana Art Lab - Center for Contemporary Art. The first edition of the program is promoted and supported by Istituto Italiano di Cultura in Tirana and curtated in partnership with Spazio Taverna Rome.
The program was created as a response to the need for additional educational opportunities for young local culture workers in the field of exhibition making from a local perspective.
"Curating with Care" is a program that reflects on curating, taking into consideration the developments and conditions of art production in Albania and the Southeastern Europe region. Its primary goal is to offer knowledge and practical information to culture workers, equipping them to challenge and bring new perspectives to the local and international art scene. Additionally, the program aims to create a connection with international discourses about contemporary curatorial practices, particularly new strategies and modes of curating that aim to offer meaningful, sustainable, and relevant approaches in curatorial practices.
With Nikolin Bujari, Orestia Kapidani, Erald Nezaj, Ferdinand Paci, Remijon Pronja, Nurhan Qehaja, Anila Rubiku.
Curated by Rrezearta Agasi, Sara Boci, Sigi Buzi, Dejvi Dauti, Paola Iljazi, Anyla Kabashi, Ana Lushaj, Besmira Rraci, Erilda Selaj, Jozefina Vokrri, Keit Zaloshnja.
Embodied Memory brings together art works that approach the body as a vessel for memory and history, mapping a multitude of recollections and tracing their lineage back to a difficult and violent past. Each generation — those who lived under totalitarian rule, those whose lives have been in perpetual transition, and those who came after them — continues to store remnants of that past that appear in their art and in life. Emerging in a terrain shaped by trauma, silence, labour, flight, and resistance, forms and gestures of collective memory reveal how the past continues to reconfigure the present.
The tension between past and present is reflected in the exhibition space itself. Vila 31, once a perpetrator space, has, for 52 years since its construction, exerted a physical and psychological presence that haunted the collective psyche of multiple generations. Despite being hidden from public view for most of its existence, the villa has produced an image materialized by fear, rumors and speculations. Recently accessible to the public and repurposed as an artist residency, it has opened up questions about a shared responsibility toward practices of remembrance related to Albania’s dictatorial past, especially in a society that has only dealt with it in fragments, never fully reckoning with its aftermath.
Embodied Memory echoes this ideological shift, tracing the unstable distance between lived experience and historical narrative; the gap between what happened and how it is remembered; between what is carried in bodies and what survives in images, objects and stories. Seven artists from different generations reflect on the endurance of identity and agency against narratives of totalitarianism, nationalism, violence and their consequences.
Nikolin Bujari’s site-specific intervention directly engages with Vila 31, disclosing images from inside the villa, alongside the last letters written by an executed political prisoner. Moving from the most intimate interior spaces to the outdoors, the installation merges these seemingly distant realities into a single, simultaneous experience. In her photographic series, Orestia Kapidani captures the former psychiatric hospital of Shkodra in a strange stasis, a building abandoned in a legal limbo that becomes a metaphor for a society trapped in endless transition. Erald Nezaj’s works encapsulate the veiling and unveiling quality of trauma, identity and memory, questioning the masks humans adopt to survive or conform. They appear and reappear as both shelter and burden, permanently written into the body. Ferdinand Paci’s drawings from the ‘60s depict miners in human terms, allowing them the fatigue and despair they encountered daily yet could not own or publicly represent, suggesting painting itself as a quiet act of resistance. Echoing the grasso-covered plastic sacks of migrants escaping Albania during the communist regime, Remijon Pronja juxtaposes the coastline as a site of leisure and a site of flight, where the search for a safer life was measured in risk and loss. Nurhan Qehaja confronts inherited narratives through constricted languages: that of the body and that of her country, probing how individual and collective domination is shaped and challenged. Anila Rubiku etches the portraits of dictators only to attempt to erase them, turning the labour of drawing and rubbing into an act against the images through which power sought to endure.
A table with referential literature, books by the formerly persecuted and documents produced by the participants of Curating with Care II is an integral part of the exhibition.
Embodied Memory is an exhibition curated by the participants of Curating with Care II, an alternative educational program whose second edition focused on curatorial practices dealing with the past, positioning the curator as a mediator between past and present, reshaping collective memory, engaging overlooked histories, and fostering dialogue on resilience and
identity.
Curating with Care II is initiated by Tirana Art Lab – Center for Contemporary Art, in partnership with Istituto Italiano di Cultura, Vila 31 x Art Explora, Goethe Zentrum Tirana, and supported by the Ministry of Tourism, Culture and Sports of Albania.