Valentina Peri (France / Italy)
Artist in Residency
Matter, Non-Matter, Anti-Matter
May – June 2022
Tirana Art Lab – Center for Contemporary Art is one of Albania’s leading contemporary independent art institution. Founded as a non-profit organization, on the initiative of Adela Demetja in 2010, TAL aims at promoting emerging and established artists and contemporary art from Albania as well as from Central, Eastern, and South Eastern Europe. The center is process and research oriented. Through different formats like, residencies, exhibitions, workshops, performances, lectures and talks, as well as research and publications, TAL has managed to create a space for emergent critical and reflective thoughts. The center initiates and supports new productions by national and international artists, and projects critically engaged with artistic, cultural and social issues of transitional and contemporary societies. From 2014-2018 TAL operated from an independent multifunctional space located in the centre of Tirana. Its unique laboratory consisted of an exhibition space, a space for artists in residence and an open public library of contemporary art books. Since 2018 TAL has been putting an emphasis on projects rooted in research and archiving, in relation to art in publics space (Tirana Floating Archive & Tirana Floating Tours) and highlighting the practices of women artists (Secondary Archive). In 2023 TAL initiated "Curating with Care" the first alternative educational program in curating in collaboration with Istituto Italiano di Cultura a Tirana. At the moment TAL does not have a physical location but collaborates with local partners for its projects.
From 2014 TAL has refined its holistic conceptual, operational and managerial practice based on the concept of rhizome. The concept consists in three practical strings: inside-outside, bottom-up and polyphony. It is deeply rooted, both in the Albanian cultural context and new experimental methodologies in terms of research, production and management. In this manner TAL tries to resist politicization, polarization and neo-colonial practices which pervade contemporary local and/or global cultural scene.
Throughout the years, TAL has grown into a contemporary art centre, engaged in a wide range of activities and collaborations with other art institutions, museums, and academic structures in Albania, the South Eastern Europe Region and the international landscape. Through one of the members TAL was the the first Albanian institution to have collaborated with Institut national d’histoire de l’art – Paris, France. Thanks to the expertise and capacities of its members TAL was the first art and cultural organization in Albania supported, in the framework of an international partnership project between 2015-2017 (Heroes We Love ), by the Creative Europe Programme. Also as leading partner TAL was supported in 2016 by Allianz Kulturestiftung. Between 2019-2023 TAL was part of the large scale international collaboration project Beyond Matter EU in partnership with ZKM | Center for Art and Media Karlsruhe, Centre Pompidou, Ludwig Múzeum – Kortárs Művészeti Múzeum, Tallinn Art Hall, Aalto University, École polytechnique fédérale de Lausanne, EPFL (associated partner). Co-founded by the Creative Europe Program of the European Union. These supports followed the continuous collaboration, in all these years, with other foreign institutions and supporters, such as Italian Ministry of Cultural Heritage and Tourism, Museum of Yugoslav History Belgrade, UGM | Maribor Art Gallery, Institut für Ausladsbeziehungen, Alliance Francaise, Istituto Italiano di Cultura, Robert Bosch Foundation, Pro Helvetia, European Cultural Foundation, Goethe Zentrum Tirana, Swiss Cultural Fund Albania and a large number of embassies in Albania. TAL has been supported also by the Albanian Ministry of Culture, Municipality of Tirana, Albanian National Historical Museum and other public/private national institutions. TAL has collaborated with local partners including Tulla Cultural Center, Bulevard Art and Media Institute, Galeria e Bregdetit Vlorë, Bazament Art Space.
Adela Demetja is a curator born in Tirana, Albania living in Tiran and Frankfurt am Main. She holds a master in "Curatorial and Critical Studies" of Städelschule and Goethe University, Frankfurt/Main. Demetja studied from 2002 to 2006 at Academy of Art in Tirana. She is the director of Tirana Art Lab – Center for Contemporary Art, which she established in 2010. As an independent curator she has curated numerous international exhibitions and collaborated among others with institutions like National Gallery of Arts Tirana, National Art Gallery of Kosovo, Maxim Gorki Theatre Berlin, Portland Institute for Contemporary Art USA, Project Biennale D-0 Ark Underground Konjic, Action Field Kodra Thessaloniki, Lothringer 13 Kunsthalle Munich, Villa Romana Florence, Haus am Lützowplatz Berlin. She curated the Albanian Pavilion at 59th Venice Biennale represented by Lumturi Blloshmi.
ASSISTENT DIRECTOR / ASSISTENT CURATOR KLAUDIA FAGU
Klaudia Fagu is a young culture manager and curator born in Tirana living between Padua and Tirana. She graduated in Economics and Administration of Arts and Culture at the University of Venice. Fagu writes articles of art exhibitions and cultural events for Ekphrasis Blog, and has worked alongside Italian and artists of Albanian origin. She co-founded “Zanë Kolektivë” and has co-organized cultural events like "Portovecchio Festival”, “Suoni in Peschiera” in Padua and the art exhibition “Vazhdë ” in Tirana. In 2023 was part of “Curating with Care” alternative education program in curating organized by Tirana Art Lab, and has since started to collaborate with Adela Demetja and Tirana Art Lab.
PROJECT ASSISTENT / ASSISTENT CURATOR ERIDA BENDO
Erida Bendo born in 1996 in Kolonjë, Albania, is an architect and computational designer. Always curious about the multi-dimensional aspects of the built environment, from interior spaces to cities, her interests lie in understanding natural phenomena, as the driving force in her explorations of generative design and rule based systems. Erida holds a Masters in Architecture from the Polytechnical University of Tirana and a postgraduate master in advanced computation for architecture and design from the Institute for Advanced Architecture of Catalonia.
Romeo Kodra, Matilda Odobashi, Sonja Lau, Eni Derhemi, Jiri Gruber
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tel:We don't have a permanent location at the moment.
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From its beginning in 2010 until 2014 TAL organized different types of events in the cities of Tirana, Shkodra and Pogradec in art spaces and public spaces. From 2014 to 2018 TAL operates from an independent multifunctional space located in the centre of Tirana. Its unique laboratory consisted of an exhibition space, a space for artists in residence and an open public library of contemporary art books.
At the moment we don't have a permanent location and we organise our activities in different locations. Meanwhile we are looking for a new space to relocate.
Tirana Art Lab hosts an international residency program that is open to artists, curators and theoreticians from all fields of contemporary culture. The residency gives the participants the opportunity to spend a distinct amount of time in Albania, to meet and to collaborate with artists and experts from the region, and leads to the production of a new work informed by the research on site. The duration of the residency depends on the respective project proposal.
At the moment there are no open calls for residents.
Artist in Residency
Matter, Non-Matter, Anti-Matter
May – June 2022
Artist in Residency
Matter, Non-Matter, Anti-Matter
April – May 2022
Artist in Residency
Matter, Non-Matter, Anti-Matter
November – December 2021
Artist in Residency
Exhibition Artists in Residency
September – November 2021
Artist in Residency
Exhibition Artists in Residency
May – June 2021
Artist in Residency
Exhibition Artists in Residency
November – December 2020
Designer in Residency
October 2018
Artist in Residency
June – July 2018
Artist in Residency
March – April 2018
Artist in Residency
September – October 2015
Artist in Residency
April – May 2015
Artist in Residency
March – April 2015
Artist in Residency
April – June 2013
Artist in Residency
April – May 2014
Artist in Residency
Pipifax – Through the Looking Glass and what we found there
May – June 2011
Artist in Residency
Monument Ginger Society Tirana
April – May 2011
Double Feature is an exhibition format introduced by Tirana Art Lab with the aim of systematically displaying in our premises, two artistic positions to the Albanian, the regional and international audience. By exhibiting two artistic positions together, we would like to construct the ground for contextualization of the artists and their works as well as build up a historical narrative necessary for the developments of contemporary art in Albania and the Region. The structure of the event enables us to pair artistic positions with every exhibition differently, making it possible to create mutual connections and references for both the positions. Especially in the Albanian context such exhibition format is needed and can be very successful. The small scale of the project enables us as organizers to engage deeply with the artists, the works and the context as well as enables the public to have a greater accessibility to a small-scale showcase. We primarily aim in conceptualizing; curating and delivering exhibitions with a high artistic quality and relevance as well as to motivate and create a space for discussion starting for the discourses initiated by the art works. Double Feature is a series of exhibition that will bring together national and international positions; positions from different disciplines; positions belonging to different generations. The creation of a dialogue between the two positions in relation with the history of art will be ensured by detailed exhibition text, artist talks, documentation through publication, interviews, photo documentation, video material etc.
Performative Exhibition is a new format initiated by Tirana Art Lab – Center for Contemporary Art with the intention to disclose exhibiting and to make public through performativity not only the process of artistic creation and curating, but also find ways to include in the exhibiting process and the means of production behind and beyond the event itself. The concept of “Performative Exhibition” aims to find new ways of exhibiting and curating which break with the temporary / unique features of the contemporary exhibition and propose enduring ways of working together.
The program is eager to tackle new hybrid formats of contemporary music and visuals arts by means of new audio-visual productions, concerts, talks and screenings.
"Curating with Care" is an alternative educational program initiated and developed by Tirana Art Lab - Center for Contemporary Art. The first edition of the program is promoted and supported by Istituto Italiano di Cultura in Tirana and curtated in partnership with Spazio Taverna Rome.
The program was created as a response to the need for additional educational opportunities for young local culture workers in the field of exhibition making from a local perspective.
"Curating with Care" is a program that reflects on curating, taking into consideration the developments and conditions of art production in Albania and the Southeastern Europe region. Its primary goal is to offer knowledge and practical information to culture workers, equipping them to challenge and bring new perspectives to the local and international art scene. Additionally, the program aims to create a connection with international discourses about contemporary curatorial practices, particularly new strategies and modes of curating that aim to offer meaningful, sustainable, and relevant approaches in curatorial practices.
Exhibition Artists in Residency 2020-2021
Beyond Matter
Donika Çina / Hanna Hildebrand / Alexander Walmsley
Curated by Adela Demetja
Opening 4 November 6:30 p.m
4-20 November 2021
Opening Hours: Mon-Sun 10 a.m - 1 p.m and 5 - 8 p.m
Bulevard Art and Media Institute
Bulevardi Zogu I, Nr. 13, 1001 Tirana
This exhibition presents the projects realised by Donika Çina, Hanna Hildebrand and Alexander Walmsley during their two-month residency at Tirana Art Lab - Center for Contemporary Art between 2020-2021. These three artists chosen from over 90 applicants, develop new works reflecting on public space issues in the city of Tirana and Virtual Reality, contributing artistically to the discourse generated by the project BEYOND MATTER. The residency program and this exhibition is part of the large-scale cooperation project BEYOND MATTER. Cultural Heritage on the Verge of Virtual Reality, dedicated to novel, digital approaches to exhibition revival, documentation, and dissemination, and the artistic, curatorial, and museological elaboration of the chances given by virtual representation.
This second part of the BIA project by Donika Çina resembles a series of interventions in public space which attempt to take care, protect and preserve the façade of the house and the vicinity of Bia. Acknowledging the risk that the house will be soon demolished by time or eventually destroyed for the sake of urban development and economic progress, this conservation and restoration of the house like it was when the owner was alive as well as the repetition of her daily routine in a series of performances and public interventions, has been digitally documented as a virtual memory of the city.
Since arriving in Tirana this September Hanna Hildebrand has been thinking about grids. In one of the first days in Tirana she observed on a construction site a lattice of steel rebar emerging from a block of hardened concrete; an abstract, rational, empty structure emerging from what can be considered our most used material after water. With this insight, in her installation LWCE T1, Hildebrand is exploring the grid as a space between ‘the concrete’, the imagined, the ideal and memories.
The Tirana Time Capsules are a series of three virtual environments composed of 3D scans and audio field recordings from that act as time capsules for three different neighbourhoods of Tirana in 2021. The chosen areas - 21 Dhjetori, Kombinat, and an area of the Tirana Great Park - each embody different aspects of Tirana’s urban development over the past 100 years. Particularly since the early 2000s, this has been characterised by the gradual disappearance of public space as the building sector has increasingly become controlled by private interests. The work investigates the ways in which high-fidelity digital recording techniques appropriate and reconstruct public space in the virtual sphere and through subjective remaking can become a space where personal memory and community heritage merge.
Donika Çina was born in 1988 in Korça, Albania, studied at Academy of Arts in Tirana Albania, University of Arts and Design Cluj-Napoca Romania and at University of Art Braunschweig, Germany. She lives in Tirana, Albania. Çina works with video art, video installation, and short movies. The subject of most of her works is she herself, her biography and the story of her family or those surrounding her. Her works have been exhibited in numerous exhibitions including; MSUB/MoCAB Belgrade; TIA MUCH KLIMA, Halle 50, Munich; Albania is not Cuba, Havana; Dejeuner avec Marubi, Belvedere 21, Vienna; In-Between, Zeta Gallery, Tirana; Double Feature #7, Tirana Art Lab; Ardhja Award, Zeta Gallery, Tirana; Tirana Open 1 Book and Art Festival, Tirana; Archivitionism (archivism-activism-exhibitionism), Galeria Plan B Cluj-Napoca; Autopia Cycle, Eliava Market,Tbilisi; The Office Tirana, National Gallery, Tirana, and Museo Orientale, Torino.
Hanna Hildebrand, is a multimedia artist with Italian & Swiss citizenship. She completed her studies at the Städelschule in Frankfurt am Main in 2009. Film and photography are her main means of expression. The genesis of her work often has a documentary foundation, with emotionally driven narratives drawn from her observations of contemporary life. At the moment she is concluding the ongoing project “Omega Transit”. This multidisciplinary work has a science-fiction plot touching on topics related to contemporary society while reflecting its utopias and dystopias. It is an expressionist oniric story which follows a group of oppressed beings which flee their own planet, to start a better life on a new one. One central element of the work is the use of existing architecture of Chiasso, Switzerland, the border town with Italy. The trilogy of videos are produced in collaboration with la rada, Locarno, with a cast of young non-professional actors.
Alexander Walmsley (b. 1992) is an artist and programmer with a background in anthropology and archaeology. He works with a range of media and tools, including photography, photogrammetry, 3D, VR, cartography and audio field recordings. In his practice, he is broadly interested in how image-making technologies shape and mediate architecture and landscapes in both the virtual and physical worlds. Recent and upcoming exhibitions include the Sharjah Art Foundation, The Photographers’ Gallery, Glasgow Science Centre, VRHam!, Kara Agora Art and Research Centre, and the Kunstquartier Bethanien. Alongside his own practice, he is also currently a research associate at the Film University Konrad Wolf in Potsdam, Germany.
Beyond Matter is co-founded by the Creative Europe Program of the European Union. These residencies and this exhibition are made possible with the additional support of Goethe-Zentrum Tirana and the Swiss Arts Council Pro Helvetia.